Commemorative button
April 29, 2011 § Leave a comment
There’s an alarming number of people wearing these buttons around the office today.
Mystery thing (and possible #KoboHR issue, depending on what happens in the comments)
April 25, 2011 § 1 Comment
It’s the Monday after Jesus: The Return and the boss brought in a fondant-clad cake and novelty holiday crackers. I got a little red sewing kit. Ashleigh got surprisingly sturdy cufflinks.
We’re all scratching our paper crown-adorned heads over what Bowles got.
Some notes:
- The “pan” is flat. If it were a shoehorn, it would inflict shoe damage at least equal to but different in character from that which it’s traditionally employed to avert.
- It’s not spring-loaded.
- The handle locks in place when it’s laid flat. When folded, it jiggles.
What is it?
The Bishop’s Man
April 21, 2011 § Leave a comment
Great cover.
It achieves something very interesting…
On the one hand the clever use of the shadows and silhouette creates a cruxifix that is not only very arresting but beautifully brings to life the religious backdrop of the novel. This is elegantly reinforced by the way the cross cuts through the words of the title.
It works extremely well on both shelf and screen.
However, the designers have recognised that they can’t stray too far into the world of religion if they want this book to be a commercial success.
They need to balance the overly-serious tone of the crucifix and the title with another layer. This is where our friendly ‘Shadow Man’ comes in.
At a stroke the ‘Shadow Man’ changes our understanding of the title and imbues the story with ‘Thriller undertones’ that take it out of the specialist religious ghetto and place it firmly in the arena of commercial fiction.
Well done to the publishers for pulling off this neat trick.
We would quibble with the black and white treatment as it makes the book feel a little bit too heavy / serious / literary but we warmly applaud the shift away from the more obvious and far less impactful hardback cover.
It is unusual to see paperbacks get more interesting than the hardback version. Here is one of the rare exceptions.
The much more obvious and far less clever hardback cover
Unfortunately, Canadians got a rehash of the tepid hardcover jacket on the trade paperback release. The “great” design above was for Jonathan Cape’s UK market edition.
A brief photoblogpost called “#YYZ” or, “Only on Air Canada”
April 14, 2011 § Leave a comment
And a point of order for my dear American friends: it’s pronounced “wye wye ZED”.
Toddler not included
April 9, 2011 § Leave a comment
Lacks a certain something without a small semi-verbal human to play with in it. #YYZ
Toronto’s Most Memorable Kids in the Hall Moments
March 24, 2011 § Leave a comment
If your attitudes towards to the world were steeped in repetitive viewings of The Kids in the Hall, then chances are you feel a good deal of civic pride living in Toronto. Though the bulk of the seminal comedy show’s sketches and short films were shot at the CBC studios, savvy viewers (and Torontonians) may recognize the occasional Hogtown landmark popping up as David Foley, Bruce McCulloch, Mark McKinney, Scott Thompson, and Kevin McDonald bopped around the city. Because we here at Torontoist love The Kids in the Hall, and also Toronto, we put together some of our favourite “hallmarks”—which, if you’re super nerdy, can function as the map for your own Kids in the Hall–themed walking tour.
Liked this? Check out our companion map, of Toronto’s Most Memorable Movie Moments.
Introduction and location descriptions by John Semley.
Beware the @TEDTalk that gets a standing ovation.
March 19, 2011 § Leave a comment







